"Nach Hause telefonieren!". Nicht nur von berühmten Persönlichkeiten stammen gute Sprüche, auch Hollywood hat viel zu bieten - deshalb hier die besten Filmzitate! Wir alle kennen dutzende und bei einigen Filmen sind sie das Salz in der Suppe. Gemeint sind Filmzitate. Da das Medium Film schon recht alt ist, haben sich.
Hollywood hat gewählt: Die 100 besten Filmzitate aller Zeiten00 Schneider - Jagd auf Nihil Baxter: "Als nächstes werde ich erstmal in der Verwandtschaft gucken. Deshalb werde ich morgen erstmal zu. Die 56 besten Filmzitate - taremayuge.com Nicht nur von berühmten Persönlichkeiten stammen gute Sprüche, auch Hollywood hat viel zu bieten - deshalb hier. "Nach Hause telefonieren!".
Beste Filmzitate Ähnliche Artikel VideoEpische Filmzitate zum nachdenken #1
Eine Kinoprogramm Bückeburg an Beste Filmzitate Places stellen wir euch in unserem Artikel Lexyroxx und wnschen euch viel Spa beim Gruseln. - Das sind die besten FilmzitateIch genoss seine Leber mit ein paar Fava-Bohnen, dazu einen ausgezeichneten Chianti. Das Problem ist deine Einstellung zu dem Problem. Wenn Du nicht sehr, sehr gut auf sie achtest, wirst Du eines Morgens aufwachen und sie ist für immer weg. Bloss weil man Sky Kostenlos Stream Mädchen zum Essen ausführt, bedeutet das nicht, dass man Die Besten Komödie ihr ins Bett muss" Dexter: "Nein, Nein. Part of The American Film Institute, AFI's Years Movie Quotes is a list of the top quotations in American cinema. The American Film Institute revealed the list on June 21, , in a three-hour television program on CBS. The program was hosted by actor Pierce Brosnan and had commentary from many Hollywood actors and filmmakers. A jury consisting of 1, film artists, critics, and historians selected "Frankly, my dear, I don't give a damn", spoken by Clark Gable as Rhett Butler in. Motivaionsvideo um wieder den Fokus zu finden. taremayuge.com geile Inspiration!Motivation und Erfolg - Die besten Filmzitate zum. After the Rebels are brutally overpowered by the Empire on the ice planet Hoth, Luke Skywalker begins Jedi training with Yoda, while his friends are pursued by Darth Vader and a bounty hunter named Boba Fett all over the galaxy. - Erkunde Lebenliebens Pinnwand „Beste filmzitate“ auf Pinterest. Weitere Ideen zu beste filmzitate, filmzitate, zitate. Buch: taremayuge.com | Shirts: taremayuge.com | PCs: taremayuge.com günstig & schnell per Email bei MMOGA taremayuge.com: taremayuge.com
Februar heisst es wieder: And the Oscar goes to… Bereits zum Mal wird der beliebte Filmpreis im The Dolby Theatre in Los Angeles verliehen.
Wir haben für Sie die wichtigsten Fakten über den kleinen Goldmann gesammelt. Er ist golden, thro … mehr.
Nicht mehr lange, bis wir nur noch Herzchen sehen: Der Valentinstag steht an. Geschenke finden wir in den Schmuck-Kollektionen des Berliner Labels JUKSEREI.
Der Tag der Liebenden ist nicht … mehr. Duftende Blumenwiesen, fröhliches Vogelgezwitscher und wohlig wärmende Sonnenstrahlen: Die Frühlingszeit naht, und wir können es kaum erwarten, verträumt durch die bunte Landschaft zu … mehr.
Mit diesen chunky Boots stampfen wir durch den Winter! Sie sind schlicht, sexy … mehr. Leider folgt auf den Blick in den Spiegel zu selten der Gedanke: Ich sehe doch eigentlich sehr schön aus.
Hamid: Und was macht es? Rambo: Es leuchtet blau. Hamid: Verstehe Original: Hamid: What's that? Rambo: It's blue light.
Hamid: What does it do? Rambo: It turns blue. Frank Drebin L. Nielsen und Cpt. Ed Hocken George Kennedy. Hocken: 'Er war im Rotlichmillieu.
Drebin eine Zigarette hin, Person: 'Zigarette? Datingregeln: "Normalerweise werde ich geküsst, bevor ich gebumst werde" Original: I usually get kissed before I get fucked.
Nick Conklin Michael Douglas in "Black Rain" Eingereicht von F. Spartacus: "Ich bin Spartacus" "I am Spartacus" Spartacus Kirk Douglas in "Spartacus" Eingereicht von Manfred Schwister.
Herzensbrecher: "Ich liebe Sie nicht. Simple Wahrheit: Niemand ist vollkommen! Original: Well, nobody's perfect!
Osgood Fielding III Joe E. Brown in "Some like it Hot" von Eingereicht von Frank Oppermann. The Trip: "Wir hatten zwei Beutel Gras, fünfundsiebzig Kügelchen Meskalin, fünf Löschblattbögen extrastarkes Acid, einen Salzstreuer halbvoll mit Kokain und ein ganzes Spektrum vielfarbiger Upper, Downer, Heuler, Lacher Den ganzen Kram hatten wir in der Nacht zuvor zusammengerafft, auf einer wilden Höllenfahrt durch den gesamten Los-Angeles-Bezirk; von Topanga bis Watts griffen wir uns alles, dessen wir habhaft werden konnten.
Also, a quart of tequila, a quart of rum, a case of beer, a pint of raw ether, and two dozen amyls. Not that we needed all that for the trip, but once you get into locked a serious drug collection, the tendency is to push it as far as you can.
The only thing that really worried me was the ether. There is nothing in the world more helpless and irresponsible and depraved than a man in the depths of an ether binge, and I knew we'd get into that rotten stuff pretty soon.
Alarm: "Arschloch-Alarm! Siegestanz: "Niemand verarscht Jesus! Denn ich bin Aguirre. Ich bin der Zorn Gottes. Fresh: "Der jährige Junge Fresh spielt mit einem Fremden im Park Schach.
Fresh: 'Matt in vier. Matt in vier kannst du vergessen! Fick dich! Ain't no mate in no four. Fuck you. Jackson ihm gab. Robert de Niro: "Als Trevis Bickle in 'Taxidriver' vor dem Spiegel 'You talkin' to me?
You talkin' to me? Wawa in der Mupfel: "Wawa: 'Hier kann ich prima nachdenken. Die Sonne geht auf und unter und zieht über mich hinweg.
Und der Mond geht auf und unter und zieht über mich hinweg und die Sterne ziehen Meine jährige Tochter meinte, dieses Zitat gehört unbedingt zu den Top und ich, fast jährig stimme ihr da zu - immerhin konnte sie auf Anhieb Wawa zitieren.
The last Boy Scout: 'Einer der besten Filme aller Zeiten! Hast Du mal Football gespielt? Boyz'n The Hood: "Unglaublich guter Film - immer noch brandaktuell Guter Rat an jeden Heranwachsenden: 'Every fool with a dick can have a kid, but only a man can raise a child.
Pulp Fiction: "Fabienne: Whose motorcycle is this? What links here Related changes Upload file Special pages Permanent link Page information Cite this page Wikidata item.
Download as PDF Printable version. Gone with the Wind. The Godfather. I coulda had class. I coulda been a contender.
I could've been somebody, instead of a bum, which is what I am. The Wizard of Oz. Sudden Impact . DeMille , I'm ready for my close-up.
Sunset Boulevard. Ali MacGraw Ryan O'Neal. The Maltese Falcon. In the Heat of the Night. I ate his liver with some fava beans and a nice Chianti.
The Silence of the Lambs. James Bond. Sean Connery . No . I'm walkin' here! Play ' As Time Goes By. When Harry Met Sally To Have and Have Not.
We ain't got no badges! We don't need no badges! I don't have to show you any stinking badges! The Treasure of the Sierra Madre.
Henry Travers als Clarence in Ist das Leben nicht schön? Oh, und falls wir uns nicht mehr sehen, guten Tag, guten Abend und gute Nacht!
Bitte "Ich bin kein Roboter" anklicken und bestätigen. Die besten Filmzitate aller Zeiten! Ein gutes Dialogdrehbuch ist das eine, wenn aber Sprüche, Retourkutschen, Ansagen oder Statusmeldungen dabei sind, die im Gedächtnis bleiben Wir haben 50 der besten Filmzitate aller Zeiten zusammengetragen.
At the airport, Rick tells Ilsa, who thought that she would be staying with him, that she is to leave with Lazlo because she gives meaning to his work.
He then tells Lazlo that he and Ilsa loved each other in Paris, and that she pretended she was still in love with him in order to get the letters.
Lazlo, who understands what really happened, welcomes Rick back to the fight before he and Ilsa board the plane. Strasser arrives just as the airplane is about to take off and when he tries to delay the flight, Rick shoots him.
Renault then quickly telephones the police, but instead of turning in Rick, he advises them to "round up the usual suspects," and the two men leave Casablanca for the Free French garrison at Brassaville.
It is, Rick says, "the beginning of a beautiful friendship. SUDDEN IMPACT Cast: Clint Eastwood, Sondra Locke, Pat Hingle Directors: Clint Eastwood Producer: Clint Eastwood Fritz Manes Writer: Joseph C.
Pierce Editor: Joel Cox Cinematographer: Bruce Surtees Genre: Drama Production Company: Warner Bros Composer: Lalo Schifrin.
On a deserted beach in San Francisco, California, a tryst in the back seat of a car ends with the murder of George Wilburn.
Later that morning, charges are dropped against a criminal named Hawkins because the evidence against him was obtained illegally by police inspector Harry Callahan.
Although Hawkins gloats over his victory, Harry threatens continued harassment. Loretta, the waitress, pours an excessive amount of sugar into the coffee, and when Harry complains, a gunfight ensues.
Police surround the diner before the surviving robber can make his escape. That evening, Harry intrudes on a wedding reception hosted by Threlkis, a local crime lord.
Threlkis is unfazed until Harry produces an envelope, purportedly containing those documents, and the crime lord dies of a heart attack.
Afterward, Harry reveals the envelope to be filled with blank pages. Later that day, Harry is reprimanded by Captain Briggs and the police commissioner for the wedding incident.
Harry argues that he rid the city of a major criminal while solving the Linda Doker case, even though he interfered with an undercover investigation.
Meanwhile, artist Jennifer Spencer visits her catatonic sister, Elizabeth, at a mental hospital and details the murder of George Wilburn, a member of the gang that raped both sisters ten years earlier.
The following day, Harry is visited by Detective Horace King, who dissuades the disgruntled inspector from leaving the police force, joking that his superiors need someone to complain about.
Jennifer returns to her hometown of San Paulo, California, where she has been commissioned to restore an antique carousel, but she is constantly haunted by memories of her rape.
In San Francisco, Hawkins and his cronies engage in a car chase with Harry, pelting his vehicle with Molotov cocktails. Harry throws one of the firebombs back at Hawkins, who loses control of his car and drives into the bay, killing all three criminals.
In the morning, Harry is sent to San Paulo to conduct a background investigation on George Wilburn, with instructions that he stay away as long as possible.
Shortly after arriving, Harry witnesses an armed robbery that results in the wounding of a young policeman named Bennett. After checking into his hotel, Harry discovers a bulldog named Meathead, left for him as a gift from Detective Horace King.
The next morning, Harry goes jogging with Meathead, and they almost collide with Jennifer, who angrily advises him to put the dog on a leash.
While researching Wilburn at the police station, Harry meets Officer Bennett, who thanks the inspector for saving his life and offers his assistance.
In the evening, Harry enters a bar, where a crude woman named Ray Parkins attempts to solicit free drinks.
Harry reveals himself to be a policeman and asks for information on the murder victim. The next morning, Jennifer follows a man named Kruger to a secluded beach, and fires bullets into his groin and head.
At the police station, Harry notices a photograph in which Ray Parkins and George Wilburn are among a group of friends, and learns the identity of the others from Bennett.
While discussing the recent murders, she suggests the killings were motivated by revenge. Although Harry approves of revenge, he cannot condone breaking the law, and Jennifer politely ends the conversation.
That evening, Harry visits Ray Parkins, unaware that Jennifer is hiding outside. Mick threatens Harry with a gun and is placed under arrest.
When the men have left, Jennifer enters the house and murders Ray. Later, Harry sees Jennifer walking along the beach and offers her a ride home.
They make love, and while Jennifer sleeps, Harry searches the house and matches her car to one he noticed outside the Parkins home.
They kill Detective Horace King, who intended to surprise Harry. Jennifer drives to the Jannings home and finds another of her attackers, Alby, confined to a wheelchair.
Lester Jannings explains that Alby hated himself for his part in the rape and attempted suicide by driving into a retaining wall.
Although Alby survived, he lives in a vegetative state. Mick, Carl, and Eddie enter the house, abduct Jennifer and kill Jannings.
Meanwhile, Mick, Eddie and Carl drag Jennifer to the boardwalk and beat her. Harry appears and shoots the two brothers, while Mick uses Jennifer as a human shield.
He climbs onto the rollercoaster, pulling Jennifer with him until she able to break away. Harry shoots Mick, and he falls from the rollercoaster onto the carousel, where he is impaled on a wooden merry-go-round unicorn.
As the coroner removes the bodies, Jennifer assumes she is under arrest. DeMille, I'm ready for my close-up.
SUNSET BLVD. Seitz Genre: Drama Production Company: Paramount Pictures Corp. Composer: Franz Waxman. Early one morning, police arrive at a large house on Sunset Blvd.
Gillis is living at the Alto Nido apartments in Hollywood, California. While in Sheldrake's office, Joe encounters studio reader Betty Schaefer, who pans the script as formulaic.
Sheldrake then refuses him a personal loan, as does his agent. Despairing, Joe makes plans to return to Dayton, Ohio, where he worked as a newspaper copy writer.
While driving down Sunset Blvd. He coasts into the driveway of a dilapidated s mansion and hides the car in an empty garage.
Joe then enters the house, where stoic butler Max von Mayerling orders him upstairs to consult with "madame" immediately. Joe soon discovers that he has been mistaken for a mortician, who is due to arrive with a baby coffin for "madame's" dead pet chimpanzee.
Joe recognizes the faded woman as Norma Desmond, once a famous silent movie star. When she rails against modern talking pictures, Joe tells her that he is a screenwriter.
The next day, Joe awakens to find that all his belongings have been moved from his apartment, and that Norma has settled his debts. Although he is angry at Norma for her presumption, he acquiesces because he so desperately needs a job.
Joe soon learns that Norma's fragile but enormous ego is supported by the scores of fan letters she still receives, and two or three times a week, Max projects her silent pictures on her living-room movie screen.
As Norma and what Joe calls "the waxworks," Hollywood old-timers Buster Keaton, Anna Q. Nilsson and H.
Warner, are playing bridge one night, two men arrive and tow away Joe's car. To appease the distraught Joe, Norma arranges for Max to refurbish her old Isotta-Fraschini, an extravagant Italian sports car.
The once reclusive Norma becomes increasingly controlling. After a rain storm soaks Joe's room, she has him moved into the bedroom adjacent to hers, where her three former husbands slept.
When Joe notices that none of the bedroom doors have locks, Max explains that Norma's bouts of melancholy are often followed by suicide attempts. Joe then realizes that Max has been writing Norma's fan letters so that she will not feel completely forgotten.
On New Year's Eve, Norma stages a lavish party for herself and Joe, but he flies into a rage because he feels smothered. Feeling rejected, she slaps him, and he leaves the house.
At a lively party at the home of his friend, assistant director Artie Green, Joe again meets Betty, who is engaged to Artie, and is excited about one of Joe's stories.
Joe asks to stay for a few weeks, and Artie agrees to put him up. When he calls Max to have his things sent over, however, Max tells him that Norma slit her wrists with his razor blade.
Joe returns to the house at midnight and finds Norma weeping at her own stupidity for falling in love with him. She pulls him to her and they kiss.
After Norma recovers, she has the pool filled, and announces that she has sent her script to Paramount's director of epics Cecil B.
DeMille, with whom she made twelve pictures. One night, Joe sees Artie with Betty at Schwab's Pharmacy. Although Betty tells him she has nearly sold one of his stories, Joe says he has given up writing, and leaves.
Norma later gets a call from Paramount, but refuses to take the call because DeMille has not called her himself.
Finally, Norma visits the studio unannounced. While Norma receives the long-awaited attention she craves on DeMille's set, Max learns that the earlier call was an inquiry about her car, which the studio wants to use for a film.
While on the lot, Joe sees Betty, who is busy revising his story, and agrees to collaborate with her on the script in her off-hours.
Norma misinterprets DeMille's pitying kindness for a deal, and a staff of beauty experts descends on her house to ready her for the cameras.
Betty and Joe, meanwhile, meet repeatedly in the late evenings, and he begins to care for her, but keeps his other life with Norma a secret.
One night, Max reveals to Joe that he was once an influential Hollywood director who discovered Norma when she was sixteen and made her a star.
After he became Norma's first husband, she left him, but when Hollywood abandoned her, he gave up his prosperous career to return to serve her as a butler.
Eventually, Norma, suspicious that Joe is involved with another woman, finds his and Betty's script and goes into a deep depression. Meanwhile, Betty receives a telegram from Artie, who is filming in Arizona, asking her to marry him immediately.
She confesses her love to Joe, and he admits he wants her, too. When he arrives home that evening, however, he catches Norma calling Betty to expose him as a kept man and giving her the Sunset Blvd.
When Betty arrives, Joe bitterly explains that he is Norma's companion. Betty urges him to leave with her immediately, but he tells her he is bound to "a long term contract with no options" and allows her to leave.
He then packs, with the intention of moving back to Ohio, and returns all of Norma's gifts. Shouting that "no one ever leaves a star," Norma shoots Joe twice in the back and once in the stomach, sending him to his death in the pool.
A throng of reporters and policemen surround the house, but the police are unable to get Norma out of her bedroom, until Max directs the Paramount newsreel crew to set up their equipment at the bottom of the stairs, and tells Norma that the cameras have arrived.
At the bottom of the stairs, Norma announces, "I'm ready for my close-up, Mr. STAR WARS Cast: Mark Hamill, Harrison Ford, Carrie Fisher Directors: George Lucas Producer: Gary Kurtz George Lucas Writer: George Lucas Editor: Paul Hirsch Marcia Lucas Richard Chew John Jympson Cinematographer: Gilbert Taylor Genre: Adventure, Science fiction Production Company: Lucasfilm, Ltd.
Composer: John Williams. During an interstellar civil war, rebels battle against an evil empire, led by Darth Vader and a villainous governor named Grand Moff Tarkin.
Unable to recover the plans, Darth Vader discovers that an escape pod was launched during the attack, and orders the droids detained.
Meanwhile, R2-D2 and C-3PO crash land on the desert planet Tatooine. However, they are captured by cloaked scavengers called Jawas and sold to young Luke Skywalker and his Uncle Owen.
As the boy refurbishes the droids, he complains that Uncle Owen has thwarted his dream of becoming a pilot and following in the footsteps of his deceased father.
Storming away, Luke discovers that R2-D2 has escaped. The next morning, Luke and C-3PO recover the wayward droid, but are attacked by the hostile, nomadic Sand People.
The only person equipped to retrieve the data is her Jedi father, so the droid must be escorted to Alderaan immediately.
Back on Tatooine, Luke discovers his family murdered by stormtroopers and vows to become a Jedi. He joins Obi-Wan and the droids in their search for a pilot at the spaceport town of Mos Eisley.
In a seamy tavern, they hire rugged outlaw smuggler Han Solo and his first mate, a tall, hairy Wookiee named Chewbacca. Meanwhile, Vader tortures Leia to discover the whereabouts of the rebel base, but she remains resolute.
Although Leia claims the rebel base is on planet Dantoonine, Tarkin incinerates Alderaan. At the same moment, on the Millennium Falcon, Obi-Wan feels pain in his heart.
Upon their arrival aboard the Death Star, Han Solo and Luke kill several stormtroopers, don their armor, and capture a nearby outpost.
Luke convinces Han Solo to join him on a rescue mission with assurances of a bountiful reward. As they release the princess, a gunfight ensues, and Leia orders her rescuers into a garbage chute to escape.
There, Luke is pulled underwater by a tentacled monster, but the creature suddenly disappears when the dump walls begin to compact.
However, Obi-Wan warns that the prospect for peace will become infinitely more powerful if Darth Vader succeeds.
The friends escape a firefight, and Leia warns that the Millennium Falcon has been fitted with a tracking device. The Death Star follows as they proceed to the rebel base on the planet Yavin.
The pilots must navigate down a narrow trench and fire into a two-meter-wide thermal exhaust port, causing a chain reaction.
As Luke mans his ship, with R2-D2 as his navigator, Han Solo ducks away with his reward money, claiming the battle is a suicide mission.
Meanwhile, the Death Star comes within firing range of Yavin and the Imperial leaders anticipate their decisive victory. Rebels race toward the battleship and attempt to dodge their pursuers, including Darth Vader, who pilots a deadly imperial fighter.
The Death Star takes aim at Yavin just as Luke speeds toward its vulnerable portal. It's going to be a bumpy night.
ALL ABOUT EVE Cast: Bette Davis, Anne Baxter, George Sanders Directors: Joseph L. Mankiewicz Producer: Darryl F. Zanuck Writer: Joseph L.
Mankiewicz Editor: Barbara McLean Cinematographer: Milton Krasner Genre: Drama Production Company: Twentieth Century-Fox Film Corp. Composer: Alfred Newman.
At the Sarah Siddons Society's annual banquet, imperious theater critic Addison DeWitt, playwright Lloyd Richards and his wife Karen, producer Max Fabian and legendary actress Margo Channing watch as Eve Harrington is presented with the theater's most prestigious award.
Karen recalls when Eve first entered their lives: On a rainy October night, Karen arrives at the theater where Margo is starring in Lloyd's play, and is approached by Eve, who has been to every performance.
Touched by the young woman's devotion to Margo, Karen brings her backstage. In Margo's dressing room, Eve describes her childhood in the Midwest and her marriage to Eddie, an Air Force radio technician who was killed in the war.
Eve explains that her life changed when she happened to see Margo in a play in San Francisco, and when the production moved to New York, Eve followed.
Director Bill Sampson, Margo's younger boyfriend, comes to say goodbye before leaving for Hollywood to direct a film. Eve accompanies Margo and Bill to the airport, and so endears herself to them that Margo moves Eve into her guestroom.
Eve quickly makes herself indispensable as Margo's assistant, to the displeasure of Margo's maid, retired vaudevillian Birdie Coonan.
Their relationship becomes strained, however, when Eve arranges a homecoming birthday party for Bill without telling Margo. The night of the party, Margo and Bill quarrel about Eve, and he chides Margo for her jealousy and insecurity about her age.
The tension between them escalates as the guests begin to arrive, and Margo gets drunk and grows maudlin. Max takes Margo aside and says he has foolishly agreed to audition Addison's date, the breath-taking Miss Casswell, and Margo promises to read with her.
She then asks Max to give Eve a job in his office. Meanwhile, Eve tells Karen that she would like to replace Margo's pregnant understudy, and Karen promises to speak to Max.
On the day of Miss Casswell's audition, Margo shows up late and encounters Addison in the lobby of the theater. Addison tells her that Miss Casswell already read with Margo's new understudy, Eve, adding that Eve performed brilliantly.
Margo argues bitterly with Lloyd and accuses Bill of rehearsing Eve on the sly. When they are alone, Bill asks Margo to marry him, as he has many times before, and when she says no, he walks out.
Lloyd goes home and raves to Karen about Eve's performance, and comments that he longs to see Margo put in her place.
Recalling that they are scheduled to spend the weekend in the country with Margo, Karen comes up with an idea to teach Margo a lesson, and places a call to Eve.
At the end of a tense weekend, Lloyd and Karen are driving Margo to the train station when the car suddenly runs out of gas.
While Lloyd sets off to find help, Margo apologizes to Karen for her recent bad behavior and Karen looks guilt-stricken.
Eve goes on in Margo's role that night, with Addison and several other critics in attendance, all of them invited that afternoon. After the show, Addison goes backstage and overhears Eve making a play for Bill in her dressing room.
When Bill rejects her, Addison comes in and offers to help promote her career. The next day, Addison's column sings Eve's praises and makes snide remarks about "mature" actresses playing youthful roles.
Bill returns to Margo's side to comfort her. Later, Lloyd tells Karen that he would like to put his next play into production right away, with Eve as "Cora," the role that was to have been Margo's.
That night, after the show, Lloyd and Karen join Bill and Margo at the Cub Room, and Bill announces that he and Margo are engaged. The waiter brings an urgent note from Eve, asking Karen to meet her in the ladies' room.
Eve asks for the lead in Lloyd's new play, adding that Addison will print the truth about Margo's missed performance if her demand is not met.
Karen shakily returns to the table, only to hear Margo declare that she does not want to play "Cora. To Eve's surprise, Addison coldly vetoes her plans, saying he has uncovered her scandalous past, and that Karen told him about Eve's attempt to blackmail her.
Addison tells her that she belongs to him, and Eve wretchedly submits. Back at the awards banquet, Eve gives a humble acceptance speech and promises to return to the theater after her upcoming assignment in Hollywood.
After the banquet, Eve is tired and depressed, and returns to her apartment, where she finds a young woman, Phoebe, waiting in her room.
Phoebe says she is the president of one of Eve's fan clubs and took the subway from Brooklyn in the hope of meeting her idol. When the doorbell rings, an exhausted Eve asks Phoebe to take care of things.
Phoebe opens the door to Addison, who has brought Eve's award, which was left in the taxi, and takes it into the bedroom. Fondling the award with a determined gleam in her eye, Phoebe tries on Eve's cape and stands before the mirror, posing and bowing.
Twenty-six year old Travis Bickle applies for a job as a New York City taxicab driver. The personnel officer drills Travis with questions, and warms to him when he realizes they both served in the Marines.
After Travis expresses his willingness to drive long hours, any day, in any part of the city, he is hired.
At work, he picks up an older man with a prostitute and complains afterward about cleaning bodily fluids off the backseat of the cab. After working twelve hour shifts, he complains that he cannot sleep and wants a purpose in life.